Superman IV: The Quest for Peas, errr, Peace



Superman IV: The Quest for Peace was released in 1987 and was co-written by Reeve’s. That should have been enough of a warning to anyone. Of course, Matt warned me that it was a stinker, so I knew going in that I was in for rough weather. And indeed, this movie was bad. It was bad enough that another Superman movie wasn’t made again until 2006. Almost 20 years of stinkitude!

The basic premise is that “everyone” is concerned that Nuclear weapons are going to destroy the world but Superman won’t do anything about it because of his instructions from Krypton not to change the fate of his adopted world. Then a school boy writes to him asking him to save everyone.  At the same time a greedy capitalist buys the Daily Planet and starts turning it into a tabloid while he gives it to his daughter to run.  The daughter falls in love with Clark Kent while Lois is still in love with Superman. Hijinks ensue as Big Blue has to switch from one to the other on a double date.

Supes gets permission from the UN to take all the nuclear weapons from everyone and throw them into the sun. There is where Lex Luthor gets involved. He steals a hair of Superman’s and creates a genetic package that needs the sun’s power to give it life. Luthor installs it on one of the nuclear weapons and when Supes throws it into the sun Nuclear Man is born, quite literally. Luthor reveals him and he and Supes fight, in the city, on the moon and in space. Supes gets scratched by nuclear nails and gets sick and everyone thinks he’s dead.  He comes back and throws Nuclear Man into a nuclear power plant and lights up a whole city while Nuclear Man is consumed.

The movie ends with Superman giving a speech about everyone getting along and realizing we all live on the same planet. Also, Perry White takes out a loan from the bank and buys back the Daily Planet.


I actually watched this 3 times to make sure it was as bad as I thought it was. There was no mistake, this was a B-A-A-A-A-D movie.

Hollywood politics dominated the storyline to the point where it wasn’t much of a storyline but a piece of propaganda. Superman taking nuclear weapons away from everyone, though glossed over, made him the worst of tyrants and excusing it by putting the responsibility on the UN’s shoulders was just as bad. That corrupt body of filth has NO power to make such decisions.  (As an aside, just so you know where I stand about the UN, if UN Peacekeepers EVER set foot on American soil on a mission, it is my duty and right as a Citizen of this country to destroy them. No Blue Hats in America!!!!) Ahem….

Helmets belonging to soldiers of the Nigerian army are seen as part of preparations for deployment to Mali, at the Nigerian Army peacekeeping centre in Jaji

Any American wearing one of these on U.S. soil is a TRAITOR and will be treated as such


The plot line about the capitalist’s daughter & Clark and Lois & Superman was just ridiculous in the worst way.  It was stupid and silly. Those two words describe most of the movie though.


I felt bad for this woman, on so many levels


Superman and Nuclear Man, oh where do I even start? Nuclear Man goes around the world destroying things, like the Great Wall of China. Superman comes after him and makes video game bleeep noises and undoes all the damage. It was like Superman had Control Z (keyboard shortcut for undo) Vision. Then Superman figures out Nukes is powered by the sun and traps him in an elevator where Nukes immediately curls up in the fetal position. So Superman releases him on the Moon, in the sun. Come on!!!! Then the end where Nuclear Man gets all his energy sucked up by the power plant? I can’t even begin to count how many things are wrong with that, even from just the story point side of things, much less any other point of things.


Nuclear Man could have been awesome. But he wasn’t


By the end of my 3rd watch, I was simply listening to the movie and even then I was rolling my eyes. I really don’t have anything good to say about this and I don’t know whose fault that even is. Was it the directors, the story writers? I don’t know.  Honestly, it was bad enough that I could see this getting the Rifftrax treatment.

Don’t waste your time, period.


bookstooge (Custom)


Next month I’ve got a choice between Peter Jackson’s extended edition of King Kong or Alien vs Predator.  Feel free to give voice to your choice in the comments or feel free to mock Superman IV. It deserves it!


Superman III (1983 Movie)


So, Superman III with its boring as all get out bluray cover. That barely looks like Christopher Reeve anyway!

This was released in 1983, has no “directors cut” and as far as I know generated ZERO controversy.  Let’s look at an alternate cover, shall we?





Now THAT cover does a MUCH better job of showcasing just what kind of movie this is going to be.






Richard Pryor is an out of work bum whose unemployment benefits have been denied. He sees a computer programming training course on the cover of a book of matches and next thing we know he is working at a computer coding computer. Oh, we get sequence from his training where he makes his computer do something that even the trainer thought was impossible. Thus is set the stage for Pryor’s genius as a computer programmer. He gets his first paycheck and sees that 1/2cent is missing. He wonders where all those 1/2cents goes and programs the computer to put them all into his account. Next payday he gets an extra paycheck for $85K. Of course, this doesn’t go unnoticed by the Big Evil Capitalist running the company but they have no way of tracking who did it. Until Pryor screeches into work driving a new ferrari.

A lot of silliness ensues. Trust me, it isn’t worth typing out. But needless to say, a secret government satellite that can control the weather is involved.

Pryor, under the direction of the Evil Capitalist, creates a supercomputer capable of destroying even Superman. It attacks Superman, Pryor has a change of heart and rescues Supes. Supes gets some super acid and one little canning jar’s worth sends the entire computer system (about a large cave’s worth) crashing into a fiery, lava’y pit of destruction.


Yep, one little canning jar destroyed all of this!


Supes fixes all the problems his silliness caused (synthetic kryptonite was involved) and is once again the world’s hero. The movie ends with Lana Lang moving to Metropolis and working at the same paper as Clarke and Lois, as a secretary.

Now, I had memories of this being silly, campy and almost stupid. I definitely got the silly and campy part right. I think the “stupid” would depend more on just how mean you were feeling at the moment. Pryor was supposed to be comedic and in many ways he was, but it was over the top, rub most people the wrong way funny.

There was one scene where Superman has to fight himself, as he’s possessed by the kryptonite. I thought they did an excellent job and that Reeve did an absolutely fantastic job of showing a mean, brutish, 5 o’clock shadow drunk Superman. He looked mean and animalistic. I’m not one to usually notice an actor’s ability, but between Reeve making Clarke Kent and Superman truly different people and this time around portraying a good and bad Superman, I have to admit that the man was an ACTOR! It was also pretty fun to realize that the actress who plays Lana Lang is the same actress who plays Martha Kent in the tv series Smallville.

This was definitely the campiest of the movies so far. I thoroughly enjoyed watching this but I’d only recommend this to others if they are a huge Superman fan or like watching the acting skills of Christopher Reeve.


bookstooge (Custom)


Superman II: The Donner Cut (1980 Movie)

220px-supermaniiricharddonnercutI guess that directors and studios having tiffs isn’t a new thing. While Zack Snyder and Warner Brothers parted ways with the recent DC Extended Universe movie franchise, Supes has experienced this kind of panty-twisting before. Hence this version of Superman II.

Most of the differences are in timing and tone. You can tell that this and the first Superman movie were meant to be a two-part story. That wasn’t evident from the theatrical release. In this, the missile that frees Zod and Co was the missile Lex Luthor launched, not a hydrogen bomb in Paris. In fact, that whole terrorist scene was cut from this version, or technically I guess, it was never filmed. Another difference was in how Lois realized Superman and Clark Kent were the same. Her life threatening stunt was different too. She throws herself out of a window on the 30th Floor of the Daily Planet instead of jumping into the river at Niagra Falls.

However, I found one of the biggest changes to be the inclusion of Jor-El as the brain at the Fortress of Solitude.


Marlon Brando played Jor-El.  This riff on that never fails to amuse me. This is from Mega Mind, an animated movie I plan on reviewing in the future.

I guess there were money/rights issues with Brando and his ego, so the theatrical release cut everything with him out and replaced most of his dialogue with Supe’s mom. If you ever read much of the comics, the scanned brain of Jor-El tended to be an arrogant ass-hat. Well, that was true here for sure. He was a pompous, arrogant control freak who would have been a horrible father. He basically kicks Supes in the yarbos when he returns asking for his powers back. It was down right unpleasant to watch. Him sacrificing himself to give back Kal-El his powers didn’t move me at all like I’m guessing it was supposed to. It made me feel glad that the jerk was going to be gone!

Finally, the ending. In the theatrical release Clark super-kisses Lois so she forgets he’s Superman. In THIS version he flies around the world and turns back time, just like in the first movie. It made me roll my eyes so hard but in many senses it simply tied the first and second movie together even tighter, like it was originally supposed to be.

Overall, I actually enjoyed the theatrical version better. I thought the story flowed better, the lack of Jor-El the ass-hat was a huge plus and while super-kissing is stupid, turning back time AGAIN is even stupider (and if you think stupider isn’t a word, you’re stupider!).  I’d only recommend this movie if you’re a huge Superman movie buff. Or if you want to see Superman grovel before his over-bearing father.


bookstooge (Custom)


Superman II (1980 Movie)

superman2 Yee haw!  This was a fun movie. A direct sequel to Superman, things start out with a big bang. Terrorists have a hydrogen bomb in the Eiffel Tower and Lois Lane is there investigating. Supes saves the day and takes the bomb into space where it explodes. However, said explosion intersects the Phantom Zone crystal the 3 criminals from the first movie were exiled into. They are set free and head to Earth. Lois Lane figures out Superman is Kent, Supes gives up his powers to be with Lois and the Kryptonians take over Earth. Kent gives up Lois and gets his powers back in the Fortress of Solitude. Lex introduces himself and promises to give them the son of their old enemy Jor-El.  A big fight ensues in Metropolis before Superman flies away when he realizes how many people will die.  Everyone ends up in the Fortress of Solitude where Lex betrays Superman only to have the tables turned. The Kryptonians are turned into ordinary humans and fall to their deaths in the depths of the Fortress.  Superman super kisses Lois and makes her forget knowing he is Clark Kent. The World Is Safe, Once Again.

Yee haww again I say! I had so much fun watching this. It was definitely bordering on the campy in places but considering it was 1980 it was no surprise. The villains were appropriately tight leather’y shininess and they looked bad ass. Having 3 other beings with the same powers as Superman was a fantastic move.  Luthor was comic relief more than anything and his continued demands to be King of Australia had me rolling.

The idea that Superman couldn’t be with Lois unless he was a human was a bit foreign to me, as I’d grown up with Lois and Superman as a couple. Heck, in the Death and Rebirth of Superman storyline in the comics in the 90’s, Clark and Lois were engaged. There were no reasons given, it just was “one of those things”.  It was refreshing to see a hero simply do something without spewing all his inner thoughts to the audience.  When Superman gives up his powers I was expecting a monologue from him or Lois about his duty to the rest of the humanity.  Imagine my pleasant surprise when it simply didn’t happen.

The film’s biggest weakness is what most superhero films suffer from. That is, not being an origin story.  Once the creativity has been expended on the origin story it seems like most movie story writers can’t write themselves out of a paperbag. This also had more in common with the Adam West version of Batman than any of the more modern superhero movies. Actually, if you do the math, it is literally closer to Adam West too, sigh.

You know, reviewing movies is tough. I could never be a movie reviewer. With that being said, I’ll be watching the director’s cut of this movie and reviewing the differences in a week or three.  I wonder if doing this counts as some sort of disability on my part? Maybe I can get money from the government!


bookstooge (Custom)


Superman: The Extended Edition (1978 Movie)

268x0wThe last time I saw this movie must have been back in the 90’s in highschool when I borrowed a vhs tape from the library.  Whoooo, it’s been a while.

I wanted something to watch that had some hope, some decency, something that lacked the darkness that a lot of more modern movies seem to exude.

This was an origin story and this extended edition was 3hours long. I have very vague memories so I couldn’t really pin down what was added to the movie and if that was good or bad. I think the opening with the destruction of Krypton went on longer.  Marlon Brando was very distinctive and it made my enjoyment of the animated movie Megamind even greater as the main character in that pretends to be the villain’s “space dad” and chooses the appearance of a clownish Jor-El. Just thinking about it makes me laugh.



There was a long sequence of Clarke Kent as a teenager, played by some actor other than Christopher Reeve. It was actually rather tedious.  Then we move on to Metropolis and Lex Luthor is revealed. Gene Hackman plays a very campy Luthor but he’s still smart. It is really weird seeing a super villain portrayed thusly.  He’s nutso enough to send a nuke to drop California into the ocean so all the property he bought in Nevada will become Lexland but he employs a drunk idiot as a henchman and is more concerned about his wig fitting and feeding his mistress to the lions than in actually being cut throat.  It is just weird 🙂

Reeve made a fantastic Superman and it isn’t any wonder that he came to represent the face of Superman himself for decades. Tall, muscular, black haired, clear eyed, with a charming smile. He was everything that Superman was in the comics. It was great to see Reeve switch between Superman and Kent. His voice subtly changed, his posture and even his facial expressions. He really was 2 different people.

I mentioned at the beginning the desire for a lack of darkness. I definitely got that in this movie. Superman isn’t soul searching, wracked with angst and inner turmoil. He’s been told that he has a purpose, from a young age. From both his human father, Jonathan Kent and his Space Dad (hahahahahaa) Jor-El, he has been assured that his life matters in a greater scheme of things. Neither father can tell him WHAT that purpose is, but that gives him something to strive for. It made me realize how hopeless our world has become in the last 40 years.  A whole generation, or two, has grown up being indoctrinated that they are nothing but a speck of dust, that they are an accident, that they not only aren’t significant but that they are insignificant and that their very existence is pointless. It is no wonder suicide rates are increasing, not in number alone but in percentages.  That darkness of the soul is missing from this movie. It was refreshing and really nice to just hear someone tell another person that they have meaning. Our world needs more of that.

The Superman franchise went on to spawn 3 more movies.  I watched up to III back in highschool and I’m seriously thinking about watching all 4 over the next couple of months. I really have no idea what the quality of the sequels will turn out to be. Wish me luck.


bookstooge (Custom)


Path of Doom (Superman Action Comics #1) ★★★★☆

pathofdoom (Custom)This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Path of Doom
Series: Superman Action Comics #1
Author: Dan Jurgens
Artist: Patch Zircher, et al
Rating: 4 of 5 Stars
Genre: Comics
Pages: 144
Format: Paper Edition




Some dummkopfs are holding some people hostage and Lex Luther, wearing an armored suit emblazoned with an “S” comes to the rescue. He is then confronted by the real Superman, father of Jon and husband of Lois. The REAL Superman. They begin to duke it out when suddenly Doomsday appears from a container and begins his rampage from almost 30 years ago all over again. Lex and Superman team up and manage to get Doomsday out of Metropolis. Lex is left behind to help the citizenry in need and Wonder Woman shows up to help.

Superman has learned from his last fight to the death with Doomsday, at least so he says. But basically it turns into yet another slugfest. Jon is watching on tv and gives a super shout that alerts Doomsday to another Kryptonian and Doomsday sets off to hunt down Jon. Supes convinces Wonder Woman to take Lois and Jon to Watch Tower, the JLA space fortress while he has a plan to deal with Doomsday.

Before he can enact his plan though, a group of humans with some sort of super tech appear, open a gate and begin using energy weapons to push Doomsday through the gate. They almost succeed but then Doomsday simply rips through them all like tissue paper.

With some timely intervention by Wonder Woman, Supes manages to get Doomsday into the path of a Phantom Zone Projector and the world is safe. Or so everyone thinks.

During all of this, a mysterious narrator has been watching everything on screens and at the end, he intercepts the Phantom Zone Projector and captures Doomsday for himself. Who he is, what he wants and pretty much everything about him is a mystery.


My Thoughts:

Well, I’d like to first thank Bookwraiths for reviewing this book this last year. Gave me some hope that maybe DC hadn’t totally destroyed Superman. Superman: Doomed was truly an epic fail in the saga of Superman and left me reeling.

This was a return to the Superman who was and always should have been. This was the Superman who fought Doomsday to a standstill and gave his life for those he loved. This is the Superman who clawed his way back from death and kicked the ass of every single other Pretender. This was a Superman who was facing death again and yet would NOT turn away. I have to admit, I almost cried.

So while I loved this return to form for Superman and I had no problems whatsoever believing he and Lois now have a son, the rest of the DC comic world has moved on and made some huge changes and I just can’t accept those changes and enjoy them. This whole multiverse thing? That was supposed to have been dealt with back in the 80’s with Crisis on Infinite Earths. The fact that DC has hashed things up so badly that they have just as convoluted a multiverse AGAIN doesn’t tell me anything good about the state of the plan for storytelling.

The second thing is that I am used to getting a completed story arc in a graphic novel. If you can’t tell a complete story arc in one book, then you have no business telling that story at all. It’s DC’s new business model of selling a whole years worth of comics and all associated comics to get a complete story. I won’t buy into that practice.

I think this is going to be my last comic for the foreseeable future. It used to be that comics were in our world and if you knew the origin of the Hero you could pretty much slot into whereever you started reading. Not any more. With things like Flashpoint, New52, Rebirth, things are so complicated that you can’t just jump on board.

I enjoyed this particular set of comics a LOT and feel like it is an almost circle in regards to Superman and Doomsday. But with everything else I stated, I can’t and won’t be continuing.

Adios Kal. You’ve always been the example of True Manhood to me throughout the years and I’m glad to see you being returned to that state. The world nowadays needs real heroes and I hope you can survive our worlds current penchant for destroying heroes with a sneer and glib mockery.



bookstooge (Custom)



Red Son (Superman: Elseworlds)


This review is written with a GPL 3.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, Booklikes & Librarything by  Bookstooge’s Exalted Permission.
Title: Red Son
Series: Superman: Elseworlds
Author/Artist: Mark Millar, et all
Rating: 4 of 5 Stars
Genre: Comics
Pages: 160
Format: Kindle digital edition



Superman lands in the Ukraine and a Communist Collective instead of in Smallville, USA.

The Man of Steel promotes communism and once Stalin dies, takes over as President Superman. Lex Luthor, last hope of the Free World, makes it his mission in life to bring down the Man of Steel, even at the sacrifice of his marriage to Lois Lane. Superman is being guided by Brainiac and can Wonder Woman, Boris Wayneski, a newly minted cadre of Green Lantern US Marines and even Superman himself stop Brainiac from completing his nefarious plans?


My Thoughts:  Spoilers

I enjoyed this the first I read it but I never recorded that I read it, so this is my first time rating and reviewing it.

I always enjoy the Elseworld stories because they do what all the phracking ridiculous and completely unnecessary reboots attempt, and miserably fail at, doing. IE, bringing us the characters we know in new ways with new stories and new variations. In fact, I would say that is the main fun of these, seeing the familiar turned at a 37° angle, just enough to skew everything but still the same enough for you to recognize.

First off, lets get through the bad. Stalin. For all that Hitler is vilified and made the devil incarnate, Stalin was truly worse. He was a butcher, plain and simple. So, for Superman to admire him was a bit of a let down. I’m not talking about Superman and communism, but Superman and Stalin.  Then there is Boris Wayneski. I don’t even know if that was his name in the book, he was simply the Russian Batman. He was almost a caricature and I would have enjoyed the story more if it had been someone else. However, the frenemy status between Supes and Batman goes way back, so it makes sense why it was included.

The good stuff.

Superman looked good. He looked good in his suit and with the hammer and sickle on his chest. I’m pretty picky about my Supes, as I liked Dan Jurgens version from the 90’s, but this was a creditable job and the art didn’t detract from my enjoyment.

Lex Luthor. He is portrayed as the smartest man alive here. While his quest to overcome Superman takes the lead, the advances he makes in doing so drags humanity upward, in all ways. In fact, his name becomes so great that his descendants take on his name, as L, or eL. You can see where that is going.

And that brings me to the ending. I loved it. I can see it pissing people off though. Superman is NOT from Krypton. He is from Earth, sent back in time to try to change the future created by Lex Luthor and the House of L. Of course, the story ends with his little craft landing in the Ukraine, hence beginning the whole cycle again.


Superman: Doomed (Superman)

coverThis review is written with a GPL 3.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at Bookstooge.booklikes.

Title: Superman: Doomed
Series: Superman
Author/Artist: Greg Pak, et al
Rating: 2 of 5 Stars
Genre: Comics
Pages: 544
Format: Paper graphic novel
Taking place in the New52 timeline. Doomsday has been kept in the Phantom Zone and somehow is allowed out by somebody. He is literal poison to the world and his very presence kills. Superman tears him in half, gets infected and begins a battle with Doomsday over who will control his body.
And it all turns out to be a masterplan by Brainiac to get control of everyone’s minds so he can “change the perception of the universe” and hence, change the universe. Because he misses his dead wife and son. Who he killed.
My Thoughts:

This was first foray into the New52 reboot universe and I didn’t like it. It also relied on the reader knowing the storyline from Reign of Doomsday. At least to explain why Doomsday is still around. Goodness, I hate these reboots.

This was a very messy read for me. The characters I knew were suddenly completely different. Superman and Wonderwoman? Superman and Lois Lane are just friends, not married? I felt like I was reading one huge Elseworlds storyline. Sadly, I wasn’t and this is where things are.
This is a big, glossy book with some gorgeous art. Unfortunately, I had a hard time reading the text and trying to follow the action. There were so few panels used that I had to guess where I was supposed to look next to follow what was happening on ONE SINGLE PAGE. And half the time I couldn’t tell if I was looking at a 2 page spread meant as one, or if I was actually supposed to read it as 2 pages.
The storyline itself just went all over the place and made me wonder WHO was in control at the helm of this idea. Superman and Doomsday argue with each other, Clarke gets angsty, Supes and Wonderwoman are all lovey dovey while making promises of mutual destruction, Brainiac is putting the whole world in a coma while whining about his dead family and there is so much more. It wasn’t a clear, concise storyline. It was a soup with about 67 different cooks all trying to make it “their way”.
It took me 6 months to finally finish this. I just didn’t want to read about it. If this had been from the library I probably would have abandoned it very near the beginning. However, I bought this in February so I was going to get my money’s worth, even if I had to suffer for every page of it. Yankee thrift and all that.
I could probably write a bunch more but it would just be more complaints. To end, I didn’t like this, I didn’t like my foray into the New52 and it will be quite some time before I try out new comics again.

Superman/Doomsday: Hunter/Prey (The Death and Return of Superman #4) 1…

coverThis review is written with a GPL 3.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at Bookstooge.booklikes.blogspot. & Bookstooge’s Reviews on the Road Facebook Group by Bookstooge’s Exalted Permission.






Title: Superman/Doomsday: Hunter/Prey

Series: The Death and Return of Superman

Author/Artist: Dan Jurgens, et al

Rating: 4 of 5 Stars

Genre: Comics

Pages: 151

Format: Digital Scan



Doomsday is not dead, nor doth he sleep, but he shall fail while Supes prevails [ha!]

Yeah, Doomsday isn’t dead and with what Superman finds out about him, it appears impossible that Kal-El will be able to defeat him again.


My Thoughts:

I really enjoyed this. Which came as a surprise to me because I remember it being the weakest of the 4 books and hence “remembered” not liking it nearly as much. Man, me and my Remembering.

While it was much shorter than Return of Superman, it still managed to pack in a lot of info and action. The Cyborg is back as well and sadly, his part was WAY too short and was almost a plot device just to keep him around for later use.  That was to bad because I think the Cyborg is one cool bad guy.

I think my nitpick was how Superman kept trying to deal with Doomsday. With the revelation of Doomsday’s evolving nature, it seemed kind of stupid that Superman just kept on hitting him, just like in the previous encounter. Find a blackhole and toss him into one of those. Mother Computer’s solution of sending him to the end of the universe and time, where Entropy would destroy him, felt like a copout but at the same time really manifested just how powerful and dangerous Doomsday was.

The action was good. Even while I was mentally tsk, tsk’ing Superman for just hitting Doomsday, it was still pretty cool. And Superman’s little Kryptonian battle gear, sword and all, definitely made the visuals better. Nothing like Superman as a knight.

The Return of Superman (The Death and Return of Superman #3)

coverThis review is written with a GPL 3.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at Bookstooge.booklikes.blogspot. & Bookstooge’s Reviews on the Road Facebook Group by Bookstooge’s Exalted Permission.
Title: The Return of Superman
Series: The Death and Return of Superman
Author/Artist: Dan Jurgens, et al.
Rating: 4 of 5 Stars
Genre: Comics
Pages: 480
Format: Paper Graphic Novel




4 Supermen have appeared in Metropolis. One is a young clone with all the attitude and haircut of the 90’s. One is a man encased in steel who makes no claim to be Superman. One is a violent vigilante who has Superman’s powers but not his heart. Finally, one is a cyborg who claims to have been mysteriously rebuilt from kryptonian tech.

One of these is a traitor bent on the destruction of Humanity. Can they figure out which one of them is the traitor and stop him?

Only the real Superman can stop the destruction of the world [again].


My Thoughts: Spoilers Ahead Matey!

A fitting conclusion to the whole story arc.

The first thing that struck me when I pulled this book off my shelf yesterday was just how the garishly primary colors dominated everything. Nothing but Blue, Red and Yellow. That is one thing that makes comics stand apart from graphic novels.

My second impression was just how fast things developed. Now given that I read this in one afternoon from one book definitely helped that along. But all the pretenders are revealed and while the world is still reeling from trying to figure out which, if any, are the real Superman, the Cyborg suddenly is about to turn the world into a new War World?

Third, the utter ridiculousness of it all. The pure absurdity. However, that level is needed to pull something this big off. This story arc spanned multiple comics for months. It HAD to be over the top to keep the teens interested and wanting to spend their money.

Fourth, I still enjoyed this. It was fun, it was explosive, it was garish, it was high octane. It was everything I expect a comic book to be in other words. I don’t expect comic books to be on the same level as The Count of Monte Cristo. Reading this also brought me one step closer to reading Superman: Doomed which I bought back in January. I have not read that before. It is just as big and I think I’ll be able to judge it more objectively than I did Return of Superman.

In conclusion, this was just as big as I remembered while definitely belonging to my younger days.