Frightful’s Mountain (My Side of the Mountain #3) ★✬☆☆☆

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Title: Frightful’s Mountain
Series: My Side of the Mountain #3
Author: Jean George
Rating: 1.5 of 5 Stars
Genre: Middle Grade
Pages: 146
Words: 55.5K



Synopsis:

From Bookrags.com

In “Frightful’s Mountain”, Frightful, the female peregrine falcon formerly a pet of Sam Gribley, attempts to reintegrate into the wild, while maintaining her ties with Sam and Bitter Mountain. The novel begins where “On the Far Side of the Mountain” ends: Sam, knowing that it is illegal for him to keep a pet peregrine falcon, and wanting Frightful to have a good and full life in the wild, refuses to call Frightful to him when he sees her flying around in the sky. Frightful then befriends and becomes the mate of Chup, a male peregrine falcon, and becomes the adoptive mother to Chup’s motherless children, Drum, Lady, and Duchess. It is a crash course for Frightful, who must not only learn to eat new kinds of food –primarily ducks and other birds, whereas she had been trained to hunt small game by Sam –but to care for wild baby falcons.

As November comes on, and all the falcons and other birds migrate south, Frightful stays on, determined to find her old mountain, and her old home. She is electrocuted on a utility pole, nearly killed, by nursed back to health by falconers Jon and Susan Wood, and is released in the spring. Frightful seeks out Bitter Mountain, and finds Sam, where she spends some time with him and hunts. She then decides to nest on the bridge in the town of Delhi. She attracts a mate named 426, a bird tagged and tracked by the U.S. Fish and Wildlife Service, and she lays three eggs. Yet, as this happens, a construction crew moves onto the bridge to begin work. Sam sneaks up to the bridge every day, and spends hours keeping Frightful calm, so she can incubate her eggs. Leon Longbridge, the local conservation officer, and a group of school kids, including Molly and Jose, try to get the construction to cease until Frightful’s babies hatch, but the crew cannot stop work without orders from the state government. The construction crewmembers feel bad they cannot stop work, but they have no choice in the matter. Attempts to move Frightful and her eggs fail, so when it comes time to paint the bridge, the crews decide they will paint the section of the bridge with Frightful on it, last. Finally, Frightful’s babies hatch.

One morning, two agents from the U.S. Fish and Wildlife Service show up to remove two of the baby falcons. In reality, they are Bate and Skri, two poachers arrested in “On the Far Side of the Mountain”, and back in the business of illegal selling of falcons. Sam helps track them down, and the police arrest Bate and Skri as they hide out in the old summer lodge of nature writer John Burroughs. From there, Frightful’s two babies will be raised and hacked into the wild. Meanwhile, Frightful raises her daughter, Oski, on her own on Bitter Mountain with Sam. Ultimately, they all fly south for the winter. When Frightful returns, she visits Sam as usual, but decides to nest in town, rather than on Bitter Mountain. Oski, however, decides that Sam’s mountain is a perfect place to nest.

My Thoughts:

Ok, here we go. There was a forward. I skipped it until I’d finished the book and then I went back and read it. It was written by Bob Kennedy Jr. While I can’t say anything about JFK, I can say that I’ve seen nothing good from his living relatives throughout the decades so a Kennedy’s name in the forward was not a good thing or an added draw. Especially when he goes off about how George inspired him to become a lawyer. Great, just what our country needs, more lawyers. Thanks a lot Jean George.

Secondly, and more to the point, this wasn’t much of a novel, middle grade or otherwise. It was much more of a National Geographic eco-documentary about birds. Sure, Sam is mentioned and some stupid kids and even dumber adults act emotionally and irrationally in response to “evil” electric companies and state governments but that’s not enough to make a real story out of.

Thirdly, but in conjunction with the above, this was written 40 years later and shows that George was more concerned with her message than actually telling a story. It was a big disappointment to see how George treated her human characters and how she leveraged the popularity of her first book to sell this one.

Overall, the first book should have been left alone as a standalone. It was excellent and fun and told a wonderful story. Each successive book has gone down hill and I suspect the two books after this one to be even worse. I certainly won’t be finding out.

Someone asked me why I was reading these books when I reviewed the second book and it basically comes down to trying to read some middle grade so I don’t take everything so seriously. To replace this series I’ll be adding most of Roald Dahl’s children’s books to the rotation. At least that I know will be light and funny.

Rating: 1.5 out of 5.

Exodus: Empires at War, Part II ★★✬☆☆

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Title: Exodus: Empires at War, Part II
Series: Exodus: Empires at War #2
Author: Doug Dandridge
Rating: 2.5 of 5 Stars
Genre: SF
Pages: 283
Words: 107.5K



Synopsis:

The Royal Family are assassinated, leaving Prince Number 3 as the new Emperor. Only he’s out on a military ship about to go into battle against the aliens who beat the snot out of humanity 1000 years ago. With no way to use faster than light messaging, this story revolves around El Princeo escaping while lots of people die to ensure his survival.

And the scum sucking traitor who set up the Royal Family dies too.

My Thoughts:

Unfortunately, this book could have been at least 25% shorter, if not more, if the author hadn’t felt the need to walk us through every excruciating step of the various space battles. For example, when Enemy Fleet #1 fires 100 missiles at Good Guy Fleet #2, we follow all 100 missiles to the bitter end. 50 get wiped out by 40 Good Guy Fleet anti-missiles. 20 are fooled by countermeasures and speed off into deep space. 10 are destroyed by close point defenses and then the final 10 blow up ships. (So kids, when a daddy missile and a mommy ship get together that’s how you get Space Debris. If you have any questions, go talk to your parents, ok?) And then there was simply over-explanation of every maneuver, every change in speed or gravity, blah, blah blah. I started skipping whole PAGES.

Then there was the sex scene. Any book that has a sex scene(s) I’m going to ding at least half a star for. But for the love of writing, if you’re going to do something, do it well! This scene felt like the thoughts of a 16 year old imagining what sex must be like. If you can’t write scenes like this (because you’re not a pornographer or filthy smut writer) then don’t include it at all. How hard is it to understand that? Gaaaaahhhh!

I called the first book “decent”. This one descended into low mediocre territory. I’ll be reading the third book but if it doesn’t sharply improve I’ll be abandong the series. I’ve got close to 100 books on my kindle and 250 (those do include the 70+ One Piece manga, but still) in my TBR pile in calibre, so I’m not hurting for books. I am working on dnf’ing series much sooner than I have in the past.

Rating: 2.5 out of 5.

Pandora Paradox (Omega Force #12) ★★✬☆☆

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Title: Pandora Paradox
Series: Omega Force #12
Author: Joshua Dalzelle
Rating: 2.5 of 5 Stars
Genre: SF
Pages: 247
Words: 82K



Synopsis:

From the Publisher

It started with a revolution nobody had even realized occurred…

Its cruelty sparked a rebellion that everyone refused to admit existed…

Now, the Machine—a terrifying and relentless enemy—reigns supreme in the galaxy, and the real fight is just beginning.

Omega Force keenly feels the weight of responsibility for the Machine’s arrival in the quadrant, but even with the resources of the Blazing Sun organized crime syndicate backing them, there’s only so much the small mercenary crew can do against the malevolent AI that has already usurped control of most of the government.

With the Machine now firmly in control of the ConFed’s military, they are out of time and out of options. Captain Jason Burke knows that along with the Machine, something else came back from the outer regions… something he’s kept a secret from everybody, even his own crew. He knows that he likely has the power to stop the Machine in its tracks, but it means unleashing an equally uncontrollable force. As he struggles to know what the right thing to do is, he can’t help but fear that the cure could very well be worse than the disease.

My Thoughts:

I haven’t got much to say. This book was mediocre and has made me realize that Dalzelle and I need to part ways. Not because of any big issues but simply because I don’t feel his skills as a writer are good enough to keep on giving him chance after chance. I started reading him back in ’15 with Warship, the start of his Black Fleet trilogy. It was pretty good and I enjoyed the whole thing. Sadly, the sequels ended up relying on the main character from the first trilogy because they were lifeless.

What does that have to do with his Omega Force series? Well, I started that in ’16 with Omega Rising and here we are 12 books and almost 6 years later and his skill level still appears to be the same to me. I don’t mind if an author starts off rough. Go read Elantris or Mistborn by Sanderson or Monster Hunter International by Correia to see how some authors started out. Starting out as an author is rough work and with reviewers like me it’s even harder. But I expect improvement as an author continues their craft. If they have peaked at their first book or three and then plateau, that is not good enough for me. If you read 10-12 books a year then Dalzelle might just fit your needs. Just like any old pair of black cargo pants are going to work for me when I go to work. I don’t expect them to make me look like a buff sex god, I just want them to protect my legs from briars and thorns and to hold my phone and stuff. But I expect something VERY different if I put on my suit. I have reached the stage in my life when good enough is only good enough for a few books, not long term.

Therefore this is the last Dalzelle book I’ll be reading. I hope I can remember this when he puts out another book or series and I’m tempted to “give him another chance”. No more chances, this stuff is just not good enough anymore.

Rating: 2.5 out of 5.

Quarantine ★★☆☆☆

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Title: Quarantine
Series: ———-
Author: Greg Egan
Rating: 2 of 5 Stars
Genre: SF
Pages: 224
Words: 80K



Synopsis:

Mr Detective-san gets hired to find out why someone kidnapped a woman from an insane asylum. She’s practically a vegetable with no rich relatives, so the police have let it slide.

This all takes place X number of years after a barrier went up in space cutting humanity off from ever reaching the stars. No one knows how or why the barrier exists but it is enough that it does.

In the process of finding Vegetable Girl, Detective-san falls in with a bunch of scyenzetists who believe that aliens put up the barrier to keep the Human Gaze from making the universe into one universe instead of a multiverse where anything is possible.

Detective-san has to do something or other, as to the infinite multitude of Detective-san’s and he gets it done. Only he’s not sure if he got it done or not. But it doesn’t matter because if there really are infinite hims, then at least one of them did it and so the Universe is saved the from the evil Human Gaze (no kidding).

My Thoughts:

First off, despite my snarky “Synopis”, this was not badly written or even thought out. The problem I had with it was just how juvenile it was. By that I mean this is the kind of story that I and my friends would have batted around as teenagers. Nothing wrong with that at all, except that I’m not a teenager now and Egan wasn’t a teenager when he wrote this.

The story ends up ultimately being pointless and whole basic premise rests on there being no God. The whole IDEA that humanity locks reality into one path as they view it but that other beings might not view things the same way, at its core denies that there is a God who views everything and that reality springs from God Himself.

The other issue was how “serious” Egan treats the idea of the multi-verse. I think the multi-verse is a great idea and should be played around with. What I don’t think is that it should be given serious consideration.

Overall, I just didn’t want to like this book and Egan didn’t do one thing to change my mind about it. This is the first Egan book I’ve read and it will definitely be the last. If you’ve read him before and like him, have at him. If you’re into trying out some older but not classic SF, this might fit the bill. Written in the 90’s, it would fit right in with such tv shows as the X-Files and Sliders. At least I enjoyed those.

I chose this cover from Librarything because all of the other ones were piss-poor pathetic stinkos. Even free Gutenberg books have better covers than most of the ones I saw in English.

Rating: 2 out of 5.

Red Noise ★★✬☆☆

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Title: Red Noise
Series: ———-
Author: John Murphy
Rating: 2.5 of 5 Stars
Genre: SF
Pages: 365
Words: 112.5K



Synopsis:

From Rosie Writes

‘Jane’ or ‘the Miner’ desperately needs food and fuel, so she puts in to an asteroid-based space station, Station 35. Here she is ripped off by the ore company, finds three rival gangs in control and at each others’ throats, while the ‘decent’ population, lead by ‘Mr Shine’ hunker down in the lower depths of the station, except bar-owner/chef Takata and Station Master Herrera, who both refuse to be forced out of the galleria. Jane decides she’s going to clean up the Station and hand it back to ‘decent folks’.

Plans don’t exactly go as expected.

Basically, have you seen any of those old westerns, the ones based on Japanese films, like Seven Samurai, reworked as westerns, or Clint Eastwood’s work, like Fistful of Dollars? Think that aesthetic, but in space.

My Thoughts:

Former Special Space Forces “Jane” is a ronin, a lone cowboy, all by her lonesome and wanting to keep it that way. This is a samurai cowboy in space story with all of the attendent cliches. That’s not a bad thing, mind you, just something to keep in mind.

Unfortunately, this didnt grab me at all. I wasn’t exactly bored or wondering when things would wrap up, but my first reaction upon finishing the book was “that’s it, that’s all I get?” I felt let down. A generally vague dissatisfaction accompanied me throughout my entire read of this book but there is nothing concrete I can point to.

It might be a matter of tastes not aligning. I wouldn’t argue against that interpretation and I won’t say that this is a bad book, but my goodness, it just felt so pedestrian! The tiredness of the main character permeated every aspect of this book and just made it a chore to read.

If you like Samurai Space Cowboys, In Space, this might work for you. Try it. If you’re on the fence, then go read some other reviews and approach cautiously. If you’re an adrenaline junky, then this definitely isn’t for you.

Rating: 2.5 out of 5.

Big O, Vol. 6 ★★☆☆☆

bigo6 (Custom)This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Big O, Vol. 6
Series: Big O #6
Author: Hitoshi Ariga
Rating: 2 of 5 Stars
Genre: Manga
Pages: 208
Words: 7K

Synopsis:

These 4 chapters deal with Dorothy’s memory disk being stolen by Angel. It is revealed that Angel is part of a group that lives outside of Paradigm City. Roger attempts to get back Dorothy’s memories and fails.

The book ends with Roger and Dorothy both accepting that lost memories aren’t as important as the possible future.

My Thoughts:

This was a really sad letdown to the end of this manga. By sad, I do not mean emotionally sad, as in “My grandmother died, I’m sad”, but as in “Dude, your pink, heartshaped skateboard is just sad”.

I have to admit I raced through this as fast as possible just to get to the end. Overall, I found this manga to be poorly done. There were little to no actual story arcs, but proto-stories without any kind of resolution.

As much as I enjoyed the anime, the manga version of Big O has been nothing but a big disappointment from start to finish for a variety of reasons. I won’t be sad to get rid of these. Just not sure if I should simply trash these or not. After the Book (un)Haul post next month I’ll make a decision about whether to throw these away or if there are any other options.

Don’t read this manga. That is my Official Verdict and Judgement.

★★☆☆☆

[Manga Monday] Big O, Vol. 5 ★★☆☆½

bigo5 (Custom)This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Big O, Vol. 5
Series: Big O #5
Author: Hitoshi Ariga
Rating: 2.5 of 5 Stars
Genre: Manga
Pages: 216
Words: 7K

Synopsis:

We get a chapter about Norman where he shows he’s so familiar with firearms that he can fire a machine gun around a whole group of punks and not hit them once. They were in the act of trying to pull a coup but with Norman’s “demonstration” on how to use a machine gun, they’re to afraid to try. Dorothy also helps out by doing cleaning chores around the house while Norman fixes Big O.

Beck ends up making a HUGE score and becomes so rich that he buys an entire Dome. Of course, he does it through proxies so the Military Police can’t touch him. He finds a gigadeus (the equivalent of what a megadeus is to humans) that somehow gives him a LOT of memories. Big O destroys the gigadeus but it is unclear whether Beck is caught or not.

The final chapter of this volume deals with a little girl who apparently can tell people their true pasts. Crowds of people end up driving her into an icy river, where Major Dastun attempts to rescue her. He tells the crowd they killed her and then Big O shows up and takes the girl and Dastun away. The girl is alive and Dastun moralizes on looking to the future and not the past.

My Thoughts:

My goodness, someone put this manga out of its misery, please! I feel like I’m reading this out of duty more than anything. And it is true. If I had just picked up this series without knowing about the anime, I’d have abandoned it after the 2nd volume for sure!

There is nothing of coherence here. Even the art and the battles leave me feeling baffled about what I’m supposed to be seeing or trying to get. The stories are just as bad.

One more volume and then I can ditch this. I might do a Book (un)Haul post on these, as the covers are really good looking.

★★☆☆½

[Manga Monday] Big O, Vol. 4 ★★★☆☆

bigo4 (Custom)This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Big O, Vol. 4
Series: Big O #4 
Author: Hitoshi Ariga
Rating: 3 of 5 Stars
Genre: Manga
Pages: 176
Words: 7K

Synopsis:

Roger Smith is hired to find an old bar. What he doesn’t know is that the old bar has an enormous safe with a vast amount of memories in it. What the client doesn’t know is that those memories are all old letters between his father and and old lover. Roger keeps having flashbacks to a woman who he claims he’ll never forget, but he’s never seen her before. The chapter ends with Dorothy telling Roger that since she’s an android, she’ll never forget him.

2 mad scientists find a machine for extracting forgotten memories and end up kidnapping Roger. His memories overwhelm the machine and then he and Big O destroy the machine.

The final chapter deals with the return of Schwarzvald and his megadeus, Big Duo. Looking like Big O, but red and with the ability to fly, Schwarzvald claims that the power of the Bigs is for destruction only and sets out to destroy Paradigm City. Roger and Big O stop him but their battle has brought them to the attention of Alex Rosewater, the CEO of Paradigm Co and the de facto ruler of Paradigm City.

My Thoughts:

No scantily clad or uncovered women this time. Hence the high water mark of 3 stars.

Other than that, mediocre. Nothing is revealed, nothing interesting happens, the characters barely appear. Flat and lifeless is what this seems to be going for. Almost like it was a project that the manga-ka didn’t care about but had to do anyway.

Whatever. It doesn’t matter. I am going to finish this series since I own it, but my goodness, it is like eating stale crackers while sipping on tepid tap water.

★★★☆☆

Big O, Vol. 3 ★★☆☆½

bigo3 (Custom)This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Big O, Vol. 3
Series: Big O #3
Author: Hitoshi Ariga
Rating: 2.5 of 5 Stars
Genre: Manga
Pages: 200
Words: 7K

Synopsis:

Beck is broken out of prison by Angel and given his own megadeus, the Super Beck. He disguises it as another Big O and goes on a rampage. He’s determined to reveal that Roger Smith is the operator of Big O. Roger, with help from his butler Norman and Dorothy, take down the Super Beck without revealing Roger’s secret.

Dorothy has an encounter with an artist, who falls in love with her. He is leaving in a condemned building however and almost dies when it is destroyed. Dorothy saves him and the artist ends up in a hospital, where he becomes infatuated with a nurse. Dorothy learns a valuable lesson about male artists.

Some bio-weapon beast that eats metal is released in the city and only the Big O can stop it. It does.

Roger, Beck and Angel all separately come upon an older geezer living outside the dome who has access to genuine alcohal and tobacco and a huge stash of memories. Angel brings in troops from the Paradigm Company, Beck shoots his way out and Roger drunk drives the Big O and ends up burning the whole place down.

My Thoughts:

Once again there was ONE scene where Beck is bathing and it shows a woman with him and it is an R rated picture, so I dinged a half star. It made me mad, because now I know I can’t give this manga to any young person. What a way to waste an entire volume. Way to go, manga-ka.

The stories are pretty boring, Beck is still a 2bit loser villain and yet he still is the main badguy. Roger pretty much just punches him in the face with Big O every encounter and wins. That really isn’t good story telling. My memories of this being mediocre at best are definitely being justified.

Which has led me to adding the “Mediocre” tag to this review and the rest of the series most likely.

★★☆☆½

The Kingdom ★☆☆☆☆

thekingdom (Custom)

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: The Kingdom
Series: Elseworlds
Author: Mark Wade
Rating: 1 of 5 Stars
Genre: Graphic Novel
Pages: 232
Words: 23K

Synopsis:

From Wikipedia

20 years after the events of Kingdom Come, a survivor of the Kansas disaster is granted power by four members of the Quintessence (Shazam, Ganthet, Zeus, and Izaya Highfather), who dub him Gog. The power drives him mad, and he takes out his anger on Superman, killing him and carving his “S” shield on the ground. He then travels a day backward in time and kills him again…and again. A shadowed figure vaguely resembling the Phantom Stranger, the fifth Quintessence member, opposes this action, as Gog now intends to accelerate the Kansas Holocaust, but the other four are prepared to let things unfold; Shazam hopes that Captain Marvel will no longer have to die, Ganthet hopes that Green Lantern will avert the catastrophe and become more renowned than Superman, Zeus hopes that the ancient gods may be ‘worshiped’ once more as Earth seeks something to believe in, and Highfather feels that a new war may fracture Earth in a manner similar to New Genesis and Apokolips.

As Gog travels closer to the modern DC Universe, the Linear Men panic when they see that their ordered index of time is unraveling; Superman is dead in the 21st century, yet alive in the 853rd, and their instruments register no error. When Rip Hunter, acting upon the orders of the shadowed figure, tries to stop Gog from killing Superman on the day his and Wonder Woman’s child is born (that being a day when ‘anything seemed possible’), Gog manages to steal the infant (named Jonathan), whom he plans to raise and name Magog (in issue #2, this was revealed to be a red herring. The child did not grow up to become Magog; instead, he became the shadowed figure, whose true identity is then revealed to be Hyperman, a Hypertime-traveling superhero wearing a costume based on the costumes of his parents and his godfather, Batman).

Although the other Linear Men object to the idea of the heroes of that time travelling back to defeat Gog, Rip Hunter recruits Superman, Batman, and Wonder Woman from the Kingdom Come era to stop Gog in 1998, the heroes concluding that, since innocent people will die if they do or do not take action, they will take the heroic option and go back despite the apparent loss of their own reality by having them interfere in their own pasts in such a manner. Four young heroes-Kid Flash, Offspring, Nightstar, and Ibn al Xu’ffasch-come together to try stopping Gog on their own, and are recruited by Rip Hunter to assist in his plan. When Jonathan is seemingly erased from existence soon after being rescued, Superman, Batman, and Wonder Woman team up with their ‘past selves’ and battle Gog to a final confrontation in a “Planet Krypton” restaurant outside of reality, where they use various weapons gathered from across Hypertime against Gog. During the fight, the future Wonder Woman reveals to the Superman of the present why Gog is after him, and Superman vows that the timeline of Kingdom Come will never happen in his universe, as he strikes back at Gog, finishing the battle once and for all. As the heroes return to their proper places in time, Hyperman reveals himself, assuring the future heroes that his infant self actually hid himself within the stream of Hypertime upon being rescued from Gog, and Rip Hunter explains the existence of timelines, so the Kingdom Come reality still exists, but it will no longer be the future of the DC Universe.

My Thoughts:

Well, after my experience with Kingdom Come you’d think I’d have learned my lesson. I guess I’m either really stupid, a glutton for punishment, a Completist or A Genius the Likes of Which the World has Never Yet Seen. I’ll leave it up to you to pick the, ahem, correct interpretation.

While I had none of the problems from the previous comic, I had a whole new bunch to contend with. This was not an actual miniseries by one writer and artist. It was bookended by The Kingdom and then had a bunch of new DC titles that were all #1’s in the middle, and all were the children of other superheroes. Considering this was in ’98, that was at the tail end of the Comic Boom in the 90’s and it was easy to tell that DC was trying to get some more comics into circulation and grab what cash they could. I don’t think it was considered an Elseworlds story until after the fact. None of the titles took off, nor did they deserve to.

The art was also atrocious. Well, maybe not atrocious, but pretty sad. With each book being a different title, obviously the artists changed and hence the artwork, but it never improved,it was all uniformly junk. The only exception I noticed was the Kid Flash comic. That seemed pretty sleek.

The story could have been interesting. Gog, the main villain, looked just like Magog, the villain from Kingdom Come. He was trying to kill all the possible Supermen throughout all of time. Now doesn’t that sound like it has a ton of potential? Sadly, it was all wasted as the intervening comics were just as much about trying to introduce the new kids on the block as they were about advancing the storyline. Plus, it dealt with a multiverse and ever since the New52 I feel like DC over uses the reset/reboot button way too often. So my bitterness about the new direction of DC bled over into this older story. Surprise!

Kingdom Come I found abhorrent. The Kingdom was simply a bore.

★☆☆☆☆